A Russian actress Nadezda Larina is one of those rare creative masterminds who are able to combine talent, dedication, and a wide acting range. During a successful acting career on stage in such countries as Italy, Russia, and Serbia, Nadezda always demonstrated that the Russian school of acting is something that can turn the whole set into a completely new reality - a parallel universe. You can see her acting prowess in the character of Akaky Akakievich Bashmachkin in Nikolai Gogol's "The Overcoat", where she transforms herself into a low-level male clerk in an ordinary local government department; or in multiple characters in the play "Lamentation" by Polish writer Krzysztof Bizio, where Nadezda portrayed stories of three women during different stages of their lives - at 16, 33 and 60 years old.

To conclude, consider how Nadezda Larina's embodies the kind and sentimental Lyubov Ranevskaya in Chekhov's "The Cherry Orchard," or an unmarried Maureen Folan in her 40s who lives in Ireland and takes care of her mother in Martin McDonagh's "The Beauty Queen of Leenane", or the self-searching Katerina in A.N. Ostrovsky "The Storm". These are among extensive examples of how Nadezda Larina expands on Konstantin Stanislavsky's method of acting via deep subconscious evaluation of the character in order to feel and express their mental and physical state authentically and broadly.